Australian Fiction Special Collection

Mira Robertson

It’s 1974 when 20-year-old Grace arrives in London determined to shrug off her Australian past and reinvent herself. While embracing her new life in the Free Republic of Beltonia, a street of communal squats, she’s haunted by the unbearable thought that she might be a lesbian – a fate she considers almost worse than death. Before long, she falls (secretly) in love with Marigold, upper class, enigmatic and avowedly straight. When Marigold mysteriously disappears without a trace, the search for her leads Grace to a life-changing epiphany.

Evoking the spirit of 1970s London through the world of squatting and political protests, street parties, encounter groups and gurus, and the mayhem of a rackety publishing outfit where Grace gets a job, Grace and Marigold is both witty and moving in its exploration of the inner turmoil, and ultimate liberation of a young woman’s journey to self-acceptance. 

6 AUGUST 2024 | ISBN 9781922964045 | Paperback | 272 pages | 228 x 152 mm

Jacqueline Rule

He’s in a new home, turning his bag upside down, emptying the contents onto the rug in the middle of the room. It was there, he knows he packed it, the framed picture of his mum, he saw it inside his bag in the social worker’s car. In the picture, she sits. In her rocking chair, their chair, a small pillow tucked behind her, jutting out behind her elbow. Little Cat is on the shelf behind the chair, a row of his books, the window slightly open. Sun pouring through, the photo slightly overexposed.

Faith and Evelyn are close friends, neighbours, and single mothers of Luke and of Mitch – and both bear the scars of the trauma of colonisation and the Stolen Generations. When Faith dies unexpectedly, Luke’s childhood in Sydney is severed into a ‘before’ and ‘after’ and a chain of catastrophic events is unleashed that will alter the course of his life.

Navigating the upheaval of a broken foster system (that serves as a pipeline to poverty and incarceration in ‘juvie’), The Leaves is a bittersweet meditation on motherhood and loss, on the power of female friendship, and the role of the state in perpetuating violence.

Luke’s journey exposes the aftermath of colonisation, as the nature of punishment, historical trauma and healing are examined. In doing so, the novel reveals the cruelty and futility of the youth detention system, and the violence of the law itself.

Through the pursuit of unattainable justice for Luke, The Leaves raises larger questions about a society that is yet to take responsibility for its own historical crimes.

MAY 2024 | ISBN 9781922964021 | Paperback | 176 pages | 140 x 216 mm

Robyn Bishop

‘You ask too many questions, Matilda. It’s not becoming in a girl.’

But Matilda is full of questions. It’s the late 1800s in rural New South Wales and Matilda, as the oldest daughter, is expected to cook, clean and help Mama with her brothers and sisters. But her inquiring mind will not be stilled nor her rebellious spirit tamed. When frustration overcomes her, she finds escape in the land she loves and in her imagination, nourished by books.

In the rust red landscape, both striking and harsh, and against the backdrop of World Wars and a changing Australia, Matilda is torn between her desire for freedom and allegiance to her growing family. With their never-ending demands, and crises of poverty, drought and illness, what Matilda really wants seems further from her reach. Will she ever see the sea? Have a vocation and earn her own money? Have the time to read?

 This sweeping novel brings to life the injustices faced by women in the 1800s and 1900s. Punctuated with betrayal and loyalty, hope and despair, love and loss, Matilda and her family come alive showing how the grip of patriarchy tried to strangle the ambitions of women, but there were women who refused to give up.

OCTOBER 2023 | ISBN 9781925950854 | Paperback | 320 pages | 229 x 152 mm

Powerfully evoking time and place, a compelling portrait of an extraordinary woman in an ordinary man's world.

—Noni Hazlehurst

Carol Lefevre

The wooden stair was just as she had imagined it, even down to the creak in its second-to-bottom step. But the tower room was lovely beyond anything she could have dreamed – afloat at the level of the treetops, it seemed to Dorelia more like a boat than a room, with everything that might trouble her banished.

Widowed after a long marriage, Dorelia MacCraith swaps the family home for a house with a tower, and there, raised above the run of daily life, sets out to rewrite the stories of old women poorly treated by literature.

Throughout this winding story, Dorelia and the elderly artist Elizabeth Bunting are sustained by a friendship that reaches back to their years at art school, and bonded by the secrets of a six-month period when they painted together in France.

The loneliness of not belonging, of being cut adrift by grief, betrayal, or old age, binds these twelve connected stories into a dazzling composite novel. Within its complex crossings and connections, young and old inhabit separate yet overlapping firmaments; grown children, though loved and loving, cannot imagine their parents’ young lives. For most, the past is not past, but exerts a magnetic pull, while future happiness hinges on retreat, or escape.

OCTOBER 2022 | 9781925950625 | Paperback | 300 pages | 216 x 140 mm

Merlinda Bobis

An oriole sings to a dying father. A bleeding-heart dove saves the day. A crow wakes a woman’s resolve. Owls help a boy endure isolation. Cockatoos attend the laying of the dead. Always there are birds in these linked stories that pay homage to kindness and the kinship among women and the planet. From Australia to the Philippines, across cultures and species, kindness inspires resilience amidst loss and grief. Being together ignites resistance against violence. We pull through in the company of others.

Kindness cannot self-isolate. It moves both ways and all ways, like breath.

MAY 2021 | 9781925950304 | Paperback | 152 x 229 mm | 220 pages

Merlinda Bobis is an utterly distinctive voice in Australian letters. In our ironic and cynical times, here are stories of heartfelt feeling — fulsome, tender and unabashed — in which grief and hope are equally things with feathers.

— Gail Jones, award-winning novelist

These stories are beyond beautiful and deeply moving, raw, tender, brimming with love and pain, death and life. Like “lit diamonds,” to borrow a phrase from Bobis’s own exquisite language. I love how birds are everywhere in attendance, signalling ancestral wisdom, pointing to the strength of the human spirit and its deep ties with all of life. I love how each story feels like a tonic for our time, illuminated from within by so much grace and kindness, it gives hope and inspires awe.

— Jennifer Ackerman, bestselling author of The Genius of Birds

WINNER, CANBERRA CRITICS’ CIRCLE
SHORTLISTED, CHRISTINA STEAD PRIZE FOR FICTION, NSW PREMIER’S LITERARY AWARDS 2022

Sarah Brill

1999. Winter. Bondi. Harry’s been on the streets so long he could easily forget what time is. So Harry keeps an eye on it. Every morning. Then he heads to the beach to chat with the gulls. Or he wanders through the streets in search of food, clothes, Jules. When the girl on the bus sees him, lonely and cold in the bus shelter that he calls home, she thinks about how she can help. She decides to write a symphony for him.

So begins a poignant and gritty tale of homelessness and shelter, of the realities of loneliness and hunger, and of the hopes and dreams of those who often go unnoticed on our streets. This is the story of two outcasts – one a young woman struggling to find her place in an alien world, one an older man seeking refuge and solace from a life in tatters. It is also about the transformative power of care and friendship, and the promise of escape that music holds.

An uplifting and heartbreaking story that demands empathy. Amid the struggles to belong and fit in, we are reminded that small acts of kindness matter. And big dreams are possible.

MARCH 2020 | ISBN 9781925950069 | Paperback | 225 pages | 234 x 153 mm

Simple, rippling, meditative prose details a miracle of kindness.

—Carmel Bird